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Then Beatlemania hit and they worked 20 hour days for the next couple of years, traveling the world, playing shows every night, doing dozens of interviews a week. So they were learning their trade A LOT faster than the boys back home. But because The Beatles had that residence gig in Hamburg, they were playing 3-4 times a day, cranked out on speed, for weeks at a time. Like Malcolm Gladwell wrote in his book, “Outliers”, the average early-1960s Liverpudlian dance band was lucky if they played twice a month. Sure, they were lucky to be at the right place at the right time, as a new, postwar era was opening up and needing new songs to fill the space. Not even the Rolling Stones could keep up with them. Not only were they the biggest band in the world in terms of sales, but their music was also way ahead of everybody in terms of innovation.
The Beatles broke up 50 years ago, and yet people are still telling their story, that’s how good they were.
#Spectacle yoko ono disrupting beatles series
''She never has opinions about the stuff they're doing,'' Jackson, who crafted the series out of more than 60 hours of footage, told ''60 Minutes.'' ''She's a very benign presence and she doesn't interfere in the slightest.'' Ono, also a producer on the series, tweeted an article without comment that.There’s the joke about how everyone remembers where they were when they first heard The Beatles had broken up, even the people who weren’t born yet. ''The Beatles: Get Back'' is being read by some as an exculpatory document - proof that Ono was not responsible for destroying the Beatles. I was seeing intimate, long-lost footage of the world's most famous band preparing for its final performance, and I couldn't stop watching Yoko Ono sitting around, doing nothing. My attention kept drifting toward her corner of the frame. But as the hours passed, and Ono remained - painting at an easel, chewing a pastry, paging through a Lennon fan magazine - I found myself impressed by her stamina, then entranced by the provocation of her existence and ultimately dazzled by her performance. Why is she there? I pleaded with my television set. The vast set only emphasizes the ludicrousness of her proximity. When George Harrison walks off, briefly quitting the band, there is Ono, wailing inchoately into his microphone.Īt first I found Ono's omnipresence in the documentary bizarre, even unnerving. Later, when the group squeezes into a recording booth, Ono is there, wedged between Lennon and Ringo Starr, wordlessly unwrapping a piece of chewing gum and working it between Lennon's fingers. Lennon slips behind the piano and Ono is there, her head hovering above his shoulder. When the band starts into ''Don't Let Me Down,'' Ono is there, reading a newspaper. When Paul McCartney starts to play ''I've Got a Feeling,'' Ono is there, stitching a furry object in her lap.
She perches in reach of John Lennon, her bemused face oriented toward him like a plant growing to the light.
#Spectacle yoko ono disrupting beatles movie
Įarly in ''The Beatles: Get Back,'' Peter Jackson's nearly eight-hour documentary about the making of the album ''Let It Be,'' the band forms a tight circle in the corner of a movie soundstage.
#Spectacle yoko ono disrupting beatles download
To hear more audio stories from publications like The New York Times, download Audm for iPhone or Android. In Peter Jackson's ''The Beatles: Get Back,'' Ono is a performance artist at the height of her powers.
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